In 1996 local quilters collaborated with the museum to create the Miami Centennial Quilt, now part of our collection. Quilters submitted too many blocks to fit in the quilt, so some gems had to be left out.
This block made it into the museum’s collection, but not the quilt. This block is decorated with tiny doll’s purses surrounding a tiny toy revolver. The purses contain little messages.
What’s this about? The maker had recently had her purse taken at gunpoint. Liz Chifari describes the incident and the block she had made in this paragraph:
“I needed to make ‘Paradise Stolen’ for therapeutic reasons, as I was mugged downtown several years ago. … The block shows that one criminal with a gun has his choice of easy targets who are powerless to stop him. It also points out the incongruity of the ugliness of crime and the beauty of the tropical backdrop against which it is played out. … “
Lift the flap at the bottom of the block, and there’s a larger message.
“Under the flap at the bottom of the block is a clear message that we must begin saying no to those who would take our paradise away. Inside some of the little purses are further messages of protest against crime …”
The Crime in Miami exhibition presented curatorial staff with a variety of challenges, one being having too many artifacts to fit into the gallery. Once again, this bittersweet quilt block was left out. Nevertheless, it conveys a victim’s perspective on a crime in Miami.
-- Rebecca A. Smith, Head, Special Collections
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